Instead, Heidecker focuses on why these open-ended childhood memories tend to stick with us, why we revisit them decades later, still turning them over and retracing our steps.Īs with everything Heidecker does, from his spot-on parody of Joe Rogan to his multi-part celebrity courtroom spoof The Trial, there is a lightness that allows him to tackle big issues without ever seeming preachy or self-serious. Many of the songs take similar leaps, never offering a sense of resolution or a moral to their stories. It’s a eulogy delivered like a campfire singalong, as Heidecker’s perspective shifts from a character study to a moment of self-interrogation: “Do you think I let you down? We lost touch the minute I moved out of town,” he sings, sadly. Take, for example, the central character in “Buddy,” a local stoner whose devolution into a cautionary tale happens so subtly that it’s hard to pinpoint exactly when it takes place. With a buoyant, lived-in sound and some of Heidecker’s warmest and most empathetic writing, each song feels like a spiral toward some deeper truth about how we end up as the adults we are. Johnson of Fruit Bats, and Mac DeMarco, the music glides with the reflective sheen of 1980s singer-songwriter statements like Bruce Springsteen’s Tunnel of Love and Randy Newman’s Trouble in Paradise. Co-produced with a backing band of Drew Erickson, Eric D. But there is something profound and true about Heidecker’s journey through the past on High School, a home-recorded concept album about his adolescence. And as Heidecker sings it-one humdrum detail at a time, with little poetic embellishment-he seems to amplify just how ordinary the whole thing is. As far as autobiographical songwriting goes, this is not the most riveting source material.
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